The 1987 live album Tribute charted in the top 20 in the UK and the top ten in the US. Lead single ' Shot in the Dark' reached number 20 on the UK Singles Chart and number 68 on the Billboard Hot 100. The Ultimate Sin followed in 1986, reaching the top ten in the UK and the US. The album reached number 24 in the UK and number 19 in the US, spawning UK top 40 singles ' Bark at the Moon' and ' So Tired'. Lee joined in 1983, with Bark at the Moon released later in the year. Osbourne's first live album Speak of the Devil, featuring touring guitarist Brad Gillis, reached number 21 in the UK and number 14 in the US. The album was the last to feature Daisley and Kerslake, both of whom were fired before its release and replaced by Rudy Sarzo and Tommy Aldridge, respectively, as well as the last to feature Rhoads, who died in a plane crash on 19 March 1982. 1981's Diary of a Madman reached the top 20 in the UK, Canada and the US, and was certified triple platinum by the RIAA. Singles ' Crazy Train' and ' Mr Crowley' reached the top 50 of the UK Singles Chart, and the album has been certified four times platinum by the Recording Industry Association of America (RIAA). The group released their debut album Blizzard of Ozz in 1980, which reached number 7 on the UK Albums Chart, number 8 on the Canadian Albums Chart, and number 21 on the US Billboard 200. After being fired from Black Sabbath in 1980, Osbourne started his solo career with a band consisting of guitarist Randy Rhoads, bassist Bob Daisley and drummer Lee Kerslake. “I’m really, really, really going to miss them,” he said, adding, “Once they’re gone, that’s it.The discography of Ozzy Osbourne, an English heavy metal singer, consists of 13 studio albums, five live albums, seven compilation albums, five extended plays (EPs), 64 singles, nine video albums and 41 music videos.

In the arena lobby after the concert, Mike King, 32, who had traveled from San Francisco, said that he ranked the show among Black Sabbath’s better recent performances. When the last song, “Paranoid,” ended, he blew a kiss, took some final bows, then stopped to have his picture taken with his bandmates before loping off the stage. Osbourne had said that he was feeling emotional in the lead-up to Saturday’s concert, but he gave only a fleeting farewell speech, marveling at “what a journey we’ve all had.” Several times throughout the night he thanked the audience, and at one point he got down on his knees and bowed. Osbourne, who has performed with other bands and as a solo act, and who was estranged from Black Sabbath through much of the 1980s and ’90s, has at least one solo date planned for this summer, in Illinois.) Lynch, originally from Ireland, was in Birmingham to see the group for the third time in the space of a week. “Two years down the line, they’ll say, ‘Let’s put our problem behind us,’” he said, adding that even if the band wouldn’t tour again, “they will do an odd festival.” Mr. Outside the arena, Errol Lynch, 45, was one of several fans who said he thought the band had more in store. Osbourne said in a recent interview with the BBC, “This is definitely it.” Iommi, who learned he had cancer several years ago, told Rolling Stone that his “body won’t take it much more.” And Mr. In interviews, the band members have insisted that “The End” - which began in Omaha just over a year ago and made stops in Europe, South America and Australia before coming to Britain last month - really is their last run. Coming to the concert, she added, felt “kind of patriotic to the city,” and like a chance to celebrate “local boys that done good.”

“Black Sabbath are part of the cultural identity of being in Birmingham,” said Pamela Pinski, 31, who lives and works in the area. The band has always identified as rough and tumble, alternative, working class and distinctly Birminghamian, so the hometown concert had special resonance for some in the audience on Saturday. Osbourne hit the climax of “Black Sabbath,” the magazine was tucked away and the man was on his feet with his hands raised in the shape of devil’s horns, singing gleefully along to the lyrics: “Satan’s sitting there, he’s smiling/Watches those flames get higher and higher.” But most concertgoers wore their fandom more lightly: One man in a Black Sabbath shirt who declined to give his name said that he worked in financial services in London and read an issue of The Economist in the moments before the lights went down. On Saturday, the crowd was dotted with die-hard fans decked out in head-to-foot Black Sabbath regalia.

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